U.S. Ethnic Literature: Pathways West

U.S. Ethnic Literature

Pathways West
English 230
Winter 2023


Instructor: Dr. Monique McDade
Class time & location: MWF 1:20-2:35 in Upjohn Library Commons 308
Contact: Monique.McDade@kzoo.edu

Office Hours & location:
MW 3:00-4:00 in Humphrey House 205

Course Description

In 1845, John O’Sullivan coined the term “Manifest Destiny” in an essay that argues for the U.S. to continue to conquer lands west of the territories gained in the Louisiana Purchase. O’Sullivan’s arguments ultimately gave birth to an American exceptionalism that posits that Anglo-America was better equipped to manage land, people, and resources on the continent than Indigenous and Mexican communities. O’Sullivan’s essay ignited a Western-American history that has come to dominant the national imaginary through cowboy (in)justice, pioneers in their covered wagons, and dramatized depictions of Indigenous and Mexican populations.

Eventually the American West came to represent the American promise. Dominant narratives suggest that in the West freedom and equality are finally realized. The West was, after all, inducted into the official nation as “free” states (meaning there was never legal slavery in the American West) and, given the isolation from the nation’s capital, there was a certain amount of freedom for women and people of color to assert themselves in ways that were not possible in the American South or Northeast.

However, as this course will evaluate, the story of the American West has become flattened through the very process of creating this narrative of Western-American freedom and equality. We only need to look to contemporary television series such as the Yellowstone franchise or HBO’s West World to understand just how pervasive these manipulated if not fully fabricated histories of westward travel and settlement are to us even today, nearly two centuries later. For, as we will see, the West was largely settled by the underprivileged in American society. Immigrants, communities of color, and the extreme impoverished sacrificed all they had in order to try for the American promise again but this time, in the West.

“Pathways West” is a course that rearticulates and visually renders the pathways by which communities of color and immigrants found themselves in the American West. We will read autobiographical and semi-autobiographical texts to better understand the ways these communities found themselves West, what the West meant to them, and how the West treated them as they settled in to call it home. We will also use these narratives to reconstruct maps that depict westward travel. I am sure we have all seen images of pioneers and their covered wagons, played the game, Oregon Trail, and watched a John Wayne-inspired western film or two. But these Western stories are, as we will see, just a fraction of what the West is. Underprivileged communities from the mid-19th century to our contemporary moment find the West in alternative ways, using alternative technologies, and battling underrepresented obstacles and violence. We will map these pathways West to critique the geopolitical narratives that undergird the American West and its histories of “Manifest Destiny,” American exceptionalism, and freedom.

Student Learning Outcomes (SLOs):

  • Identify the geopolitical and literary pathways by which people “arrived” in the American West.
  • Discuss the identity formations and narratives derived from different “pathways” and the various environmental, social, and political implications therein.
  • Understand the multivalent histories that inform the “pathways” taken west and the legacies, both the unreconciled and the overinvested—that continue to inform a “Western American” culture.
  • Engage in the complimentary work of close reading and digitalization of Western American “pathways” to realize and visualize nuanced connections and dialogues between authors, texts, and communities of people.
  • Demonstrate critical awareness for the complicated histories of westward travel through synthesis of digitalized mapping content.
  • Reflect on what digital maps do for literary criticism and how it can serve a larger community outside the academic classroom.

Grading Scale

AA-B+BB-C+CC-D+DD-F
100-9493-9089-8887-8483-8079-7877-7473-7069-6867-6463-6059-

Required Assignments

Writing ProjectsGrade Percentage
Midterm Exam15%
Tenth Week Exam15%
Mapping Project (and components)60%
Attendance & Participation10%

Brief Assignment Descriptions

  • Exams: There are two exams in this course. Both exams will be open-book short essays that, while designed to be completed in class, are also able to be completed ahead of time and turned in on exam day. Here’s how it will work: two weeks ahead of the scheduled exam day, I will provide you with the exam prompts and instructions. Over those two weeks you can either create notes and prep materials to bring into class to write the exam in our allotted class time or you can pre-write the entire exam and turn it in on exam day. The goal is that you choose the one that best suits your study habits and exam style. The only rule is that all students must show up in person to the start of exam day even if it is to turn in the exam and leave.
  • Mapping Project: This project is a term-long project with various parts or checkpoints due throughout the quarter. Each student will be responsible for mapping in Google Earth the pathways our authors or their characters took to arrive West (or to leave the West). Students should map each text as they read it. By the end of the term, students will write a theoretically supported paper that argues what their maps reveal about the American West and westward expansion. *You will receive a more detailed project sheet in Week 2 that will detail the requirements and prompts you will need to address. *
  • Attendance & Participation: The humanities are about community. The discipline is interested in and cares about different and complex points of view. For this reason, student participation is foundational to the structure of the course. You may have heard the age-old adage: “you get what you put into it,” and that is true. But it is also true that your peers only get what you put into it as well. We want to hear your voice. We want to understand your particular approach to a text. Those are valid things for us to discuss. As such, attendance and participation is a graded category. See the attendance and participation policy below.

Required Texts

COURSE Schedule

Week 1: January 2 – 6

Week

Week 1: January 2-6

Getting Started:

  • Maps & the West
  • Getting familiar with the dominant narratives.
  • Race and Ethnicity

Foundational Keywords:

  • Frontier
  • Manifest Destiny
  • American Exceptionalism
Monday

No class: campus holiday.

Wednesday

Readings due:

  • “Asian Americans and Anti-Blackness,” Claire Jean Kim
Friday

Readings due:

  • 1883, episode 1, Taylor Sheridan
  • Entertainment interview with LaMonica Garrett

Week 2: January 9 – 13

Week

Week 2: January 9-13

Unit One: Connecting Histories: Manifest Destiny & Slavery

Unit Keywords:

  • Freedom
  • Progress
Monday

Readings due:

  • The Life and Adventures of Nat Love, Nat Love, Preface-Ch. XII
Wednesday

Readings due:

  • The Life and Adventures of Nat Love, Nat Love, Ch. XIII-end
Friday

Readings due:

  • All I Asking For is My Body, Milton Murayama

Week 3: January 16 – 20

Week

Week 3: January 16-20

Unit One, continued.

Monday

No class: Martin Luther King Jr. Day.

Wednesday

Readings due:

  • When We Were Colored: A Mother’s Story, Eva Rutland, Ch. 1-5
  • Selections from Sara Ahmed

*come prepared to class ready to use Ahmed theoretically in close readings of Rutland*

Friday

Readings due:

  • When We Were Colored: A Mother’s Story, Eva Rutland, Ch. 6-end
  • Letter from Rutland’s archive

Week 4: January 23 – 28

Week

Week 4: January 23-28

Unit Two: Borders and Pathway
Rearrangements

Unit Keywords:

  • Individualism
  • Nationalism
  • History
Monday

Readings Due:

  • Who Would Have Thought It?, María Amparo Ruiz de Burton, Ch. I-XXIX
  • Ruiz de Burton archive: The Bancroft letters
  • “Manifest Domesticity,” Amy Kaplan
Wednesday

Readings Due:

  • Who Would Have Thought It?, María Amparo Ruiz de Burton, Ch. XXX-XLIX
  • Ruiz de Burton archive: book review
Friday

Readings due:

  • Who Would Have Thought It?, María Amparo Ruiz de Burton, Ch. L-end
  • Ruiz de Burton archive: Ruiz de Burton obituary
  • “The Female Complaint,” Lauren Berlant

Assignments due:

  • Google Earth checkpoint

Week 5: January 30 – February 3

Week

Week 5: January 30-February 3

Unit Two, continued.

Monday

Readings Due:

  • “Leaves from the Mental Portfolio of an Eurasian,” Sui Sin Far
Wednesday

Readings Due:

  • “In the Land of the Free,” Sui Sin Far
  • “The Land of the Free,” Sui Sin Far

Assignment due:

  • Theoretical proposal due
Friday

No class: midterm break.

Week 6: February 6-10

Week

Week 6: February 6-10

Unit Three: West of what?

Unit keywords:

  • Independence
  • Borders
Monday

Readings due:

  • Barrio Boy, Ernesto Galarza, Parts 1 & 2 (pg. 1-171)
Wednesday

Readings due:

  • Barrio Boy, Ernesto Galarza, complete
Friday

*Midterm Exam*

Week 7: February 13 – 17

Week

Week 7: February 13-17

Unit Four: Legacies of the Pathway West

Unit keywords:

  • Memory
  • The “First West”
  • St. Louis/MO
Monday

Readings due:

  • The Autobiography and Reminiscences of S. Pollak, St. Louis, MO, Simon Pollak, Ch. I-IX (skipping X-XV)
Wednesday

Readings due:

  • The Autobiography and Reminiscences of S. Pollak, St. Louis, MO, Simon Pollak, Ch. XVI-end
  • ‘The Double Life of St. Louis”
Friday

Readings due:

  • Riding the Trail of Tears, Hausman (Ch. 1-7)

Assignments due:

  • Mapping project paper, rough draft due

Week 8: February 20 – 25

Week

Week 8: February 20-25

Unit Four, continued.

Unit keywords:

  • Memory
  • The “First West”
  • St. Louis/MO
Monday

Readings due:

  • Riding the Trail of Tears, Hausman (Ch. 7-15)
Wednesday

Readings due:

  • Riding the Trail of Tears, Hausman (Ch. 15-end)
Friday

Readings due:

  • The Saloon Keeper’s Daughter, Drude Krog Janson, Ch. 1-9

Assignment:

  • Final exam distributed

Week 9: February 27 – March 3

Week

Week 9: February 27-March 3

Unit Five: Progress in Transition

Unit keywords:

  • The “far west” vs “Midwest”
  • The Western Ideal
  • Railroad
Monday

Readings due:

  • The Saloon Keeper’s Daughter, Drude Krog Janson, Ch. 10-end
Wednesday

Readings due:

  • China Men, Maxine Hong Kingston, “On Discovery” through “The Ghostmate” & “The Grandfather of the Sierra Nevada Mountains” entire section
Friday

Readings due:

  • China Men, Maxine Hong Kingston, “The Making of More Americans” entire section & “The American Father” entire section” & “On Listening” (last short chapter)

Week 10: Week 10: March 6 – 10

Week

Week 10: March 6-10

Wrapping Up by thinking global

Monday

Readings due:

  • Once Upon a Time in the West, Sergio Leon
Wednesday

*Presentation day (part of rough draft grade) *

Readings due:
• No readings due

Friday

*Tenth Week Exam*

Finals Week: March 12 – 14

Week

Finals Week: March 12-14

Monday

*Mapping Project Paper due Monday of finals week by midnight.*

Wednesday
Friday